Tag: Silhouette

  • 1947: MASAOKA’S POWERPLAY

    1947: MASAOKA’S POWERPLAY

    The list of companies selected to make propaganda for the Occupying Forces in 1947 was very short. Alongside Daiei, Shochiku and Toho was a much smaller name: Nihon Manga Eigasha. And that was MASAOKA Kenzō’s firm.

  • 1945: MOMOTARO: SACRED SAILORS

    1945: MOMOTARO: SACRED SAILORS

    It’s time for the review I’ve been dreading, ever since the blog started: “Momotarō: Umi no Shinpei” / “Momotaro: Sacred Sailors” or “Momotaro’s Divine Sea Warriors”.

  • 1940: AMERICA ON THE HORIZON

    1940: AMERICA ON THE HORIZON

    Our hero is a cutesy looking duckling who wants to play at war. He sounds like a kid, dresses like Donald Duck, and he’s been sent to the shop to get some “fish bullets” for dinner.

  • 1933: HISTORY AND THREE DIRECTORS

    1933: HISTORY AND THREE DIRECTORS

    If I’m going to be completely fair to the Japanese government, which is not a happy sentence fragment, they were still working to keep their citizens safe in 1933.

  • 1929-30: THE LEFT AND THE LOST

    1929-30: THE LEFT AND THE LOST

    What did you do in Japan when your ideals were miles to the left of the government? Make good cartoons and get arrested, apparently.

  • 1929-30: THE MINISTRY AND MURATA

    1929-30: THE MINISTRY AND MURATA

    MURATA Yasuji and Yokohama Cinema Shokai’s edutainment film series, the “Athena Library Series”, was clearly a success by 1929. Which is why this is only half his films.

  • 1924-26: KIMURA HAKUSAN

    1924-26: KIMURA HAKUSAN

    Following the wrecking of the entire Japanese animation industry in the Great Kanto Earthquake, how did Japanese animation come back, and who was responsible?