Tag: Ofuji

  • 1937 – THE BEGINNING OF THE END

    1937 – THE BEGINNING OF THE END

    There are only three pieces of animation from Japan in 1937 that have made it to the present day. But I’m still very happy with what I can talk about.

  • 1936: MURATA’S END

    1936: MURATA’S END

    On February 26th 1936, a group of young military officers, convinced that their brand of ultranationalism was correct and losing the internal struggle for the ear of the Emperor, attempted to overthrow the Japanese government; a coup d’etat.

  • 1934: FOUR DIRECTORS

    1934: FOUR DIRECTORS

    Masaoka Kenzō gets unlucky, Ofuji Noburo uses another name, Seo Mitsuyo monkeys around, and an unknown director drives his characters mad.

  • 1933: MASAOKA, OFUJI, AND TEAM GODZILLA

    1933: MASAOKA, OFUJI, AND TEAM GODZILLA

    MASAOKA was the first Japanese director to make a talking animated picture. Unless he wasn’t and it was OFUJI instead. Elsewhere, Godzilla’s owners shake a claw or two.

  • 1932: OGINO, OFUJI & THE UNKNOWNS

    1932: OGINO, OFUJI & THE UNKNOWNS

    OGINO Shigeji was a skiving fuel store owner, someone’s whose name is lost was working for the Japanese War Department, and TEIZO Kato was making science fiction. They all directed cartoons from 1932.

  • 1931: OFUJI NOBURO

    1931: OFUJI NOBURO

    The first completely original record talkie – unless new evidence emerges – was made by Ofuji Noburo fill a demand from movie theatres, for a National Anthem.

  • 1929-30: MURATA II AND OFUJI

    1929-30: MURATA II AND OFUJI

    MURATA Yasuji continues to set a blazing pace in 1930, while OFUJI Noburo goes for quality and mostly succeeds.

  • 1927-28: HISTORY NOTES AND OFUJI

    1927-28: HISTORY NOTES AND OFUJI

    OFUJI Noburo’s career was continuing to build momentum and garner respect, although unfortunately only one of his films from these two years survive.

  • 1924-1926: KŌUCHI & OFUJI

    1924-1926: KŌUCHI & OFUJI

    Only one of the three pillars of the original 1917 Japanese animation boom was still in the industry by 1924. But his apprentice would change Japanese animation permanently.